

Castillo de San
Marcos, Elizabeth Boardman Warren, watercolor


Horseback Riders,
Anastasia Island,
Louis Charles Vogt,
oil on canvas, circa 1935
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OCTOBER 1, 2001
– JANUARY 1, 2002
Between the 1930s
and the early 1950s, the historic city of St. Augustine, Florida had a
thriving cultural community that attracted hundreds of American artists.
Today, some of these artists are famous, some are relatively well known,
and others have fallen into obscurity.
St. Augustine developed
into the largest art colony in the South through the efforts of a small
group of dedicated professional and amateur resident artists who founded
the St. Augustine Arts Club in 1931. Renamed the Arts Club of St. Augustine
in 1934, and St. Augustine Art Association in 1948, this organization
served as the nucleus of the city’s artistic activity. In an unusual alliance
between culture and commerce, the Art Association was avidly supported
by St. Augustine’s civic-minded businessmen and retail merchants, who
recognized that it had the potential to contribute to the city’s economic
revival.
During the three
decades proceeding, during, and after World War II, St. Augustine, Florida
was a haven for artists from northern art centers, such as Rockport and
Provincetown, Massachusetts and Woodstock, New York. Their stylistically
diverse works often reflected the historical ambience and sunny weather
of the Nation’s Oldest City. Over 60 works by these artists such as Tod
Lindenmuth, Blanche Lazzell, Anthony Thieme, and Emmett Fritz are displayed
in the museum’s Transition Gallery.
Accompanying this
exhibit is a full color catalog by art historian Robert W. Torchia.
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